Thursday, March 3, 2011

Ajijic fires up for Mardi Gras romp | Guadalajara Reporter

Ajijic fires up for Mardi Gras romp | Guadalajara Reporter

Ajijic fires up for Mardi Gras romp

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The denizens of Ajijic will celebrate Carnaval in their own inimitable way, with traditional antics starting on Saturday, March 5 and climaxing with a lively Mardi Gras parade on Tuesday, March 8.

Ajijic’s outlandish masked Sayacos will fire up light-hearted mayhem during the traditional Mardi Gras festivities.

Villagers customarily let loose at Los Toros, the high- testosterone confrontations between man and beast, where fearless guys show their mettle at riding bucking bulls and local charros show off their skills at rounding and roping, set to a backdrop of high decibel banda music. Toros are scheduled daily, 4 p.m., at the Lienzo Charro bullring, located on Calle Revolucion, one block below highway from turn at Salvador’s Restaurant, Plaza Bugambilias.

{reg}The build-up for each event starts with the madcap Toro de Once parades led by Los Sayacos, the outrageously costumed masked dancers made up of male pairs dressed up as bearded gents and busty broads. The cavalcade starts around 11 a.m., usually running along Calle Galeana and Guadalupe Victoria toward the central plaza, looping through the main streets and ending at the bullring where the Sayacos gather for a last interlude of hilarious hell-raising.

The Sayacos and Sayacas drive the lively Carnaval spirit as they romp through the town, dancing to the furious beat traditional tunes like the Jarabe Tapatio (Mexican hat dance) or La Jota. They generate laughter and mayhem as they charge down the streets pelting on-lookers with fistfuls of flour or confetti stashed in woven shoulder bags and over-sized purses.

Afterwards revelers wind their way back to the plaza for the Recibimiento, a courtesy reception in honor of the ranchers who are providing livestock for the afternoon’s Toros. The welcome party involves live music for dancing and free-flowing booze, held as a prelude to a private comida hosted by the Ajijic Charro Association.

Sayaco roots

According to local lore, the roots of the Sayacos date back to the pre-Hispanic era. It is said that a pair of colorfully outfitted masked dancers played an important role in the ancient rituals practiced to garner favor from the deities ruling over the four elements – earth, air, water and fire.

Sayacos are also linked to the legendary Xicantzy, a female village elder and direct descendent of the area’s ancestral tribal ruler who was distinguished for wearing extravagant clothing and lots of glittery jewelry. Some oral histories identify her as a great healer who applied her expertise in natural remedies to treat the mentally deranged.

As one story goes, Xicantzy and a pair of Sayacos stood at the gateway to the village to greet the first Spaniards who arrived as on the scene around 1531 as conquerors and Christian missionaries.

An alternate version purports that Xicantzy was prone to occasional fits of madness that drove her to chase down male inhabitants and douse them with her powdery cosmetics if they refused her amorous advances. The Sayacos and Sayacas subsequently arose as impersonators of her bizarre behavior. Their outlandish costumes, lively dances and confetti and flour pitching practices represent rejection of the Spanish overthrow of the native culture and ridicule of society’s rich and powerful.

The typical male costume features a dark wooden mask with bushy eyebrows and ample facial hair, an oversized suit jacket, baggy pants, short riding boots and a well-worn hat. Sayacas wear papier mache masks painted with rosy cheeks, bright red lips and heavily arched eyebrows, a bright skirt and blouse combo or outdated party dress filled out front and rear balloons, gaudy costume jewelry, outmoded high heel shoes and an unkempt wig held down by a kerchief or fancy hat.{/reg]

Children to show off photo skills in Ajijic | Guadalajara Reporter

Children to show off photo skills in Ajijic | Guadalajara Reporter

My wonderful talented friend here in Ajijic, Kristina Morgan has some of the most talented, beautiful amazing children I have ever met. Her daughter Maya travels to Guadalajara every Saturday to translate for Alan and to learn about photography. I cannot wait to see the exhibition here in town this weekend.


A photo exhibition with a difference is being held at the Efren Gonzalez Art Gallery in Ajijic starting from March 5.
Says photographer Juan Jose Santos: “In the evening we went to the rides at the fair. I went with Pollo to tour around that night and we rode this ride. I took the shot for the memory and because of the colors.”
“The photographs are stunning, no-one believes they were taken by kids,” says proud Lake Chapala resident Allan MacGregor. “There’s a strange innocence and street savvy that comes through.  They see the world from a different angle. They’ve been on the streets for years.”
Since he moved down to Lake Chapala just over a year ago, MacGregor has traveled on the bus to Guadalajara every Saturday to give photography classes at Codeni (a children’s rights collective) to children aged from to 10 and 15. But these aren’t normal photography classes.
The Codeni center is like an after-school center that approximately 150 children, who mainly work on the streets, attend twice a week for psychological, educational and general relief from their economically and socially challenged lives.
Inspired by Josh Meltzer, a Fulbright scholar who gave kids a voice through his “Listen to my Pictures” program, MacGregor decided to carry on teaching the children how to become photographers after Meltzer’s scholarship ran out.
“It gives them discipline and they can begin to appreciate art and become consumers of culture,” says Maria Zuñiga of Codeni, who worked for years in New York in an immigrant outreach center.
“I saw a New York Times article entitled ‘Truth with a Camera,’” explains MacGregor. “Then I got in contact with Josh and he put me in contact with Codeni.”
The results of the meeting between middle-class, Boston-area native MacGregor and the working-class kids has spawned quite remarkable results.
Leslie Marquez, who lives in a small apartment near downtown Guadalajara with her mom, stepfather and three half-siblings, takes a photograph in a local market. She often helps her parents sell in the streets and takes care of her two younger siblings.
Many of the children are from the indigenous Otomi group and the photos selected for exhibition in Ajijic are taken from a trip they made with their families back to their hometown in the state of  Queretaro for the annual fiesta.
The colors are vibrant and the photos document Mexican internal immigration from the country to city that is rarely reported on. While the photos can be best described as stark human reality, seeing them from the children’s point of view gives them an added dimension. For example, don’t expect to see the standard family photo shot with mom, dad, sister and brother all with accompanying false smiles that adorn many households.
“I’ve become totally engrossed with the whole thing,” admits MacGregor.
A civil rights’ activist back in the 1960s, MacGregor says the work Codeni does is amazing: “One of the most impressive programs I’ve ever seen.”
MacGregor brings his fellow Rotarians to Guadalajara to show them around the Codeni facilities.
“They are always stunned at how polite and outgoing the kids are,” says MacGregor. “They can never tell they’re street kids.”
While back in the United States, MacGregor managed to raise 600 dollars from Rotarians from the Boston area to ship down more cameras for the children. He’s even brought Codeni staff and children to meet Rotarians in Ajijic, where they sold two photographs. Afterwards, MacGregor took them to Efren Gonzalez’s gallery and the idea to hold an exhibition aimed at the expatriate community took hold.
“It gives me a good feeling in my old age,” says MacGregor. “It’s been an amazing eye-opener for me.”
The exhibition opening is on Saturday, March 5 from 3 p.m. to 7 p.m. Some of the young lensmiths will be in attendance at the Efren Gonzalez Gallery (Marco Castellanos 7, Ajijic).
Other exhibitions of the kids’ work is on display at the Chop café in Guadalajara (Avenida Mexico 2328) and at Las Cabañas del Capitan in Guayabitos. All the photos are for sale for 1,000 pesos. The money is split between Codeni and the child who took the photograph. According to Zuñiga, it helps them learn to value their work and how to manage money.